QIN Guan Ci embodies "rhyme" from the perspective of feeling for the external things and way of expressing it: rhyme caught inside the heart of the poet and it is elusive and enthralling; agile rhyme which is, expressive and connotative.
"韻"是一種外在形態(tài),更是內(nèi)在的精神。
The rhyme is the main idea in books com- mented by Huang Tingjian.
韻是黃庭堅書論的核心思想。
On the basis of an analysis and summarization of Chinese poems,this paper elaborates the ten functions of rhyme.
韻是一種極為復(fù)雜的現(xiàn)象,在詩歌中具有多方面的功能。
"Dynamic","rhythm"and"artistic fun"are much valued,which is borrowed into poetic theory.
其書法之美趣為"力"、"韻"、"意",這既是他們書法創(chuàng)作的追求,也是他們用來衡量書法優(yōu)劣的標(biāo)準(zhǔn)。
The "vivid rhythm" and the "Bone-liked Style of Drawing" of the six principles have been the fundamental pursuance in Chinese painting.
南齊謝赫在《畫品》所創(chuàng)發(fā)的"六法精論",實乃我國古代繪畫經(jīng)驗的系統(tǒng)總結(jié),奠定了我國美術(shù)思想發(fā)展史上極其重要的理論基石;尤其是六法中的"氣韻生動"與"骨法用筆",一直是中國繪畫的根本追求,它概括了繪畫的普遍規(guī)律,具有"俯遺則于來葉"、"歷千載而不移"的理論價值。
Wang Zhuo put forward the following esthetical criteria of Ci - poetry:human disposition, nature, a mean rule or justice, elegance and rhythm, and made some practical searches on these criteria for the purpose of creation and appreciation of Ci - poetry.
王灼提出詞的審美標(biāo)準(zhǔn)——性情、自然、中正、雅、韻等,并作了深入具體的探討,從歷史和邏輯的結(jié)合上為詞的創(chuàng)作與鑒賞確立了自我的美學(xué)觀念。
This paper discusses how to melt the charm of traditional graphs into designing modern,independent,up-to-date international symbols.
將傳統(tǒng)圖形藝術(shù)結(jié)合到現(xiàn)代標(biāo)志的設(shè)計中是設(shè)計出具有主張性、時代性和國際性的現(xiàn)代標(biāo)志的重要手段之一,把握與承傳傳統(tǒng)圖形的“韻,”并最終將其融合到現(xiàn)代標(biāo)志的設(shè)計之中,是傳統(tǒng)圖形藝術(shù)與現(xiàn)代標(biāo)志設(shè)計結(jié)合的一個難點(diǎn)。
Some similarities and dissimilarities can be found from the comparison between Chinese classical theory of "charm" and that of India,which have no conspicuous external factual connection.
將沒有外在“事實聯(lián)系”的中印古典“韻”論并置在一起進(jìn)行比較,其相同之處有四:一是對“韻”這個審美范疇“推尊之以為極致”;二是認(rèn)為韻與味在本質(zhì)上有相通之處;三是對韻的內(nèi)涵的理解基本相同;四是都運(yùn)用比喻來言說。
In Southern Dynasties,it became the significant aesthetic category of Chinese ancient painting since the theory of "vigor and charm" had been put forward by Xie He.
自南朝齊謝赫提出“氣韻生動”以來,它就成為中國古代繪畫的重要美學(xué)范疇了。
The "Yun" Category and Its Poetics Spirit in Song Dynasty;
宋代“韻”范疇及其詩學(xué)精神
On Phonology Transformation in"Guang Yun"and Phonology at Second and Third Grade in"Yun Jin;
論《廣韻》變韻與《韻鏡》二、三等韻之關(guān)系
of or relating to measure.
韻律的或與韻律有關(guān)的。
"Long" rhymes with "song".
"long"與"song"押韻。
" Long" and" song" rhyme.
long和song押韻。
" House" rhymes with" mouse" .
“House”與“mouse”同韻。
" Bold" and" cold" are rhymes.
“Bold”和“cold”同韻。
The Character of Ji Yun's Phonological System-from the Contrast of Ji Yun and Guang Yun
從《集韻》與《廣韻》小韻的比較看《集韻》音系的特點(diǎn)
Textual research to the syllables which were cut from <Guang-yun>By Chen Li <Qie-yun-kao>;
陳澧《切韻考》所刪《廣韻》小韻考
A Study of Rhyming in Poetry and Prose in the Liang Dynasty;
梁代詩文陽聲韻入聲韻用韻數(shù)理分析
On the Disparment and Combinableness of The Ge in the Series Books of Qieyun --The Comparison of the Fanqie about The Ge;
《切韻》系韻書歌戈韻分合性質(zhì)研究——歌戈韻在韻書中的反切比較
Viewing the Rhyme Dictionaries Based on Which Characters Were Covered in Yunjing(A Rhyme Mirrow) in Comparing Yunjing with the Other Related Rhyme Dictionaries in catalogue and Array Order
從《韻鏡》與相關(guān)韻書韻目及其排序之比較看《韻鏡》列字所據(jù)之韻書
a composition written in metrical feet forming rhythmical lines.
以有韻律的韻腳寫成的構(gòu)成韻律行的作品。
double [ female, feminine ] rhyme
二重韻, 陰性韻(如motion和notion, 前后兩個間節(jié)都押韻)
Of, showing, or characterized by alliteration.
押頭韻的押頭韻的或以頭韻法為特征的
Investigation on the Characteristics of the Sound on Ji Yun by means of Comparison with xiao yun of Guang Yun;
從與《廣韻》的小韻對比看《集韻》反映語音的特點(diǎn)
The Comparison about the Phonetic System between the Ge Rhymes and the Phonology of the Sino-Sanskrit and the Sino-Tibetan in the Serial Books of the Qieyun;
《切韻》系韻書中歌戈韻與梵漢、漢藏對音比較
The Comparison of Chinese Phonology, Chinese Sound and Phonology, and Phonological Intical;
《漢語音韻學(xué)》、《漢語音韻》和《音韻學(xué)初步》的比較
The Phonological Development of Hekou(合口) in Xie(蟹) System Reflected by Rhyme System in Song Dynasty
宋代河南詩詞用韻灰韻系、泰韻合口字的演變